Journalist, Author & Syndicated Columnist
Like “Our Blues,” “My Liberation Notes” and “Reply 1988,” “The Good Bad Mother” is a slice-of-life series filled with quirky characters who are overly interested in each other’s business. They support each other, are jealous of each other’s children and talk smack about each other. But if an outsider dares to do the same, hell hath no fury like a neighbor scorned.
“The Glory” had so much promise — a strong leading lady (Song Hye-kyo), a skilled screenwriter (Kim Eun-sook), the backing of Netflix’s money, and the promise of a scintillating revenge thriller. And yet at the end of the eight-episode first season — stop doing this, Netflix! — I found myself underwhelmed.
“Melancholia” is a nuanced series that depicts how a math teacher (Im Soo-jung) encourages her morose student (Lee Do-hyun) to live up to the potential he had as a child genius.
“Beyond Evil” is one weird (in an interesting way) Korean series that centers on the search for a serial killer, who murdered multiple women — including the protagonist’s younger sister. Virtually all the major characters are suspects at one point or another, with damning evidence that has been carefully weaved into the storyline.
Lee Do Hyun and Go Min Si are knocking it out of the park in the K-drama “Youth of May,” where their slow-burning romance is set against the tense backdrop of the Gwangju Uprising. But did you know they played siblings last year in “Sweet Home”?
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.
“Prison Playbook” is a dramedy I never wanted to watch. But I’m so glad I did, because it handled social injustice in a way that was palatable to digest, while offering a satisfying ending.
Zico appears on “Running Man” to do the “Any Song” challenge with our favorite Song…Song Ji-Hyo!
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.