“Love Alarm” (좋아하면 울리는): Season 2
“Love Alarm” was one of the first Netflix series that split a K-Drama into two seasons. They need to stop doing that. This second season is a disappointing mess.
Journalist, Author & Syndicated Columnist
“Love Alarm” was one of the first Netflix series that split a K-Drama into two seasons. They need to stop doing that. This second season is a disappointing mess.
“Tomorrow, With You” has so many wonderful elements — especially the adorable chemistry between the two leads. But the frustrating part was watching just about everyone in the series keep integral secrets from each other in an attempt to change — and protect — their future.
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.
Most of the characters in “Lovestruck in the City” would’ve benefited with some therapy to work things through and move on from unhealthy relationships that should’ve been severed early on.
Like “Train to Busan,” “Kingdom” was released well before the coronavirus outbreak cause pandemonium worldwide. Both are sociopolitical projects disguised as zombie horror thrillers, where those in power don’t try to prevent the outbreak, so much as they try to stop news of the outbreak from being released. The public’s ignorance suits their own needs.
There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.
While “To All the Boys” author Jenny Han may have no desire to write a fourth book in this series, wouldn’t it be fun if Kitty got a spinoff? She could move to Seoul to become a K-pop trainee, learn Korean, and reunite with her crush Dae (Jeon Ho-Young). TATB doesn’t have to end with Lara Jean and Peter. With a little bit of tweaking, it can go on always and forever.
Well written and terrifically acted, “The Uncanny Counter” is suspenseful and heartwarming. And in a rarity for Korean dramas, there is no second lead syndrome romance to mess with the plot.
“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.
“I had planned to go to a wedding in Jamaica after completing all the work on ‘A New York Christmas Wedding,'” said Otoja Abit. “That was going to be a much-needed vacation. And also all the film festivals – Miami, Martha’s Vineyard, North Carolina, Wichita, Kansas! I missed a lot of opportunities to see our film play on a big screen with local audiences.”