“Nevertheless” (알고있지만)
In many ways, “Nevertheless” is a primer for how women are manipulated into diminishing their own wants and desires for a man.
Journalist, Author & Syndicated Columnist
In many ways, “Nevertheless” is a primer for how women are manipulated into diminishing their own wants and desires for a man.
For septuagenarian Shim Deok-Chul, his unfulfilled dream is ballet. As a child, he had wanted to take lessons, but his father stopped him. There was the lack of money. But there was (and still is) also the prejudice against men who participated in the artform. For many close-minded people who fear the unknown, dancing isn’t a masculine hobby to take up.
Song Kang has gone from rookie to leading man with a trio of hit K-dramas: “Love Alarm,” “Sweet Home” and “Navillera.”
“Love Alarm” was one of the first Netflix series that split a K-Drama into two seasons. They need to stop doing that. This second season is a disappointing mess.
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.
As a young woman passes by two men, an app on her phone goes off. “There is one person who loves you,” it says. The app is called JoAlarm (좋알람), which alerts users if there is someone within 10 meters who loves them. If you’re thinking that JoAlarm sounds nonsensical, you’re right — in English, it doesn’t make sense. But in Korean, it literally means an alarm to measure if someone likes your. (Remember that Jay Park song, “Joah”/”좋아”? 좋아 means good or to like. Now it makes perfect sense, right?)