Journalist, Author & Syndicated Columnist
The saving grace of “Come and Hug Me” is that it drives home the point that bloodlines don’t define who you are or who you will become — and that just because you passed your DNA onto a child, that doesn’t make you a good parent.
“My Ahjussi” is a satisfying K-Drama focusing on Dong-Hoon, a mid-level engineer who lives a mundane life. He works hard, hangs out with his brothers every evening and goes home to a house where his wife is rarely there. And if she is, she holes away in her home office and ignores him. It can’t be a coincidence that the set designer chose an apartment complex that looks more like a prison than a home for their residence.
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
“One More Time” was Kim Myung-Soo’s first lead role. Best known to K-Pop fans as L from the group Infinite, he certainly had the look of a singer-songwriter-guitarist down pat. With a better script and direction, he could’ve really done something with this part. But as it was, Tan was an unsympathetic character who was old enough to be responsible, but too immature to give up his rock ‘n roll lifestyle to pay off his considerable debts.
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
At its core, “Absolute Boyfriend” isn’t about whether the female lead would choose a robot over a human being. Rather, it’s about longing for the robot’s human traits that are lacking in too many people today.
It’s not surprising that “One Spring Night” has the same melancholy vibe as “Something in the Rain” (aka “Pretty Noona Who Buys Me Food”). Besides the same leading man, the series reunites screenwriter Kim Eun and director Ahn Pan-Seok. While the storyline is different, the main thrust remains the same: The central male character is deemed as unsuitable to be with the female character, because of an unforgivable character flaw that isn’t a flaw at all.
“Angry Mom” brings up the question of whether it’s OK to be a bully, if you are standing up for the rights of the weak.
Having just finished “Sky Castle,” I am left with a little lump in my throat, not because it’s over, but because I know there are so many children out there who are at the mercy of a brutal educational system — where you are told your life means nothing if you don’t get into Seoul National University, Korea University or Yonsei University.
Helmed by writer Kim Eun-Sook and director Lee Eung-Bok — who previously collaborated together on “Descendants of the Sun” and “Goblin: The Lonely and Great God” — the misleadingly named “Mr. Sunshine” does a beautiful job of juggling multiple story lines that are full of suspense, intrigue and achingly quiet romance.