Journalist, Author & Syndicated Columnist
I had a difficult time reconciling myself with the fact that I enjoyed “Boys Over Flowers,” while being disgusted that the showrunners never addressed how cruel the main characters were to kids outside of their circle.
Let’s cut to the chase: the plot revolves around a high school student and a doctor who switch bodies after an accident. Yoon-Jae, the 30something doctor is in a vegetative state in the body of 17-year-old Kyung-Joon. Meanwhile, the teenager is alive and well, but he is trapped in the buff body belonging to Gong Yoo, er, I mean Yoon-Jae. Caught between these two is Gil Da-Ran, a wet dishrag of a woman, who (despite her beauty) has absolutely no confidence in herself. When she realizes that Yoon-Jae really isn’t Yoon-Jae and that it may take a while for the two to switch bodies again, she plays along with the charade.
There are few things in life that would be more difficult than to watch generations of loved ones grow old and die, while you live on for centuries without them. Such is the case with Kim Shin, a dokkaebi (goblin). For more than 900 years, he has been cursed to live a life of loneliness as atonement for all the enemies he killed during his days as an unbeatable general. Yes, his victims would’ve slain him if they had the opportunity. But, as God says in the narration, they were all precious creations, as well.
I always viewed “The Heirs” as a much-better followup to “Boys Over Flowers.” Park Shin-Hye and Lee Min-Ho share amazing chemistry as the lead couple.
What would you do if you knew that you had three months left to live? Would you spend it with the ones you love, or would you try to right the wrongs in which you played a part? That’s the dilemma for Korea’s top Hallyu star Joon-Young, who is dying. I don’t feel bad about revealing this bit of information, because it’s revealed early on in this series.
In a review that ran in the New York Times, film critic Jeannette Catsoulis gave “Ode to My Father” a big thumbs down for being “syrupy” and for having “packaged pain … likely to leave Western audiences cold.” While there is no doubt that director Yoo Je-Kyoon would’ve loved for American audiences to embrace his movie, it’s also undeniable that this film was not made with Western moviegoers in mind. It was made for Koreans.
“Doctor Crush” is full of bad characters full of bad intentions: the money-hungry father-son duo trying to take over the hospital; Ji-Hong’s uncle, who steals his inheritance and then dumps him off at an orphanage; Hye-Jung’s father, who abandons her; and even Hye-Jung’s raison d’etre for much of the series: revenge.
Production on “Descendants of the Sun” began just three months after Song Joong-Ki finished his mandatory two-year military duty in Korea. He displays an easygoing flair in the role of the charismatic leader of the Alpha Team. Even bulked up (for him), Song is slight of build and baby faced. At times, I wondered whether someone like So Ji-Sub would’ve been better cast in the role. But, what he lacks in brawn, Song makes up with magnetism. He has one of those faces that the camera loves.
“Cheese in the Trap” is a love story disguised as a psychological drama. Or, vice versa. The core of the story is about a group of damaged people who are struggling to survive.
Thinking about it now, I see so many things that I didn’t as a young reporter. I see their white privilege, which was tinged with racism, sexism and jealousy. How dare an *unqualified* Asian woman whose intelligence obviously was inferior to their own have a more prestigious and higher-paying job than they had? I must’ve gotten my job because I’m a woman. I must’ve been an Affirmative Action hiree. In their minds, I was the reason they didn’t have better jobs.