Journalist, Author & Syndicated Columnist
If you’re looking for a light K-drama where the plot is not really the point, “CEO-dol Mart” is the show to watch. The premise of this series is that after the death of a member, the idol group the Thunder Boys broke up and went their separate ways before they had a chance at getting recognition.
Playing undercover police officer Jun-mo — who hopes that his gig will lead to a promotion — Ji Chang-wook is in his element as an eager cop who infiltrates a drug cartel with ties to China and Japan.
There is a recurring dream sequence in “Doona!” A young woman is submerged in water. From below, she can see the glitz and glamour of her life as a top star. But when our protagonist startles herself awake, we see her living a mundane life, waking up sweaty in a small apartment and taking long drags of cigarettes in the courtyard. This is how we meet Lee Doo-na, a famous K-pop idol who is hiding away in a shared house for college students.
She saw me as a dark-skinned minority, like herself. Aligning herself to me wouldn’t help her step up in social status. To her — and probably to many people — I was just another immigrant working in a factory, and that’s all that I would ever be. To her, she saw no value in me. Maybe my ethnic otherness reminded her too much of herself.
Set in a hospice, the point of “If You Wish Upon Me” isn’t that the dying can only leave this world if they have a wish fulfilled. Rather, sometimes they need peace of mind before they’ll allow themselves to go.
“The Gangster, The Cop, The Devil” is not a good film, but it’s watchable because its star is Ma Dong-seok. The burly actor stars as a mob boss whose street credibility takes a beating when he is nearly killed by a floppy-haired serial killer (Kim Sung-kyu) — whose modus operandi is rear-ending drivers and then savagely stabbing them to death.
The first episode of “My Magic Closet” accomplishes what “XO, Kitty” failed to deliver. It deftly tackles identity and what it’s like living as diaspora.
There is a lot going on in “Moving,” Disney’s most-watched K-drama to date. Initially, it appears the series will center on heroic teenagers. But as intriguing as the storylines are for the children, it’s the parents’ arcs that really piqued my interest.
A remake of the Taiwanese series “Someday or One Day,” the Korean version of this time-travel drama isn’t always easy to follow. But if you suspend your belief in reality and just go with the flow, you will find yourself immersed in a compelling plot that centers on love, while it also navigates story arcs about guilt, gaslighting and a, erm, serial killer.
One reason for the popularity of “Doctor Prisoner” may be that it has incorporated some real-life news into its story arcs, similar to how American shows such as “Law & Order” draw ideas from sensational headlines.