Journalist, Author & Syndicated Columnist
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
This second season of the revenge series “Taxi Driver” is adept at tackling inspired-by-real-life cases, like the Burning Sun scandal, where privileged male clubgoers were given access to drug and assault women.
At the center of this series is a trio of middle-aged male friends. Sung-han (Cho Seung-woo) is a classical pianist turned divorce attorney. Kim Sung-kyun plays his best friend Hyung-geun, who is reticent to give his wife — who is already pregnant with her new partner’s baby — a divorce. And Jeong-sik (Jung Moon-sung) runs a real estate business in a building owned by Sung-han.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
To many misguided editors, one Asian is enough. Two Asians is overkill. Three Asians will get you called in to the office to be reprimanded. And also… Epik High is not a boy band. But they wouldn’t know that, would they?
Do Koreans swear? You betcha! You’ve probably heard them plenty of times in your favorite K-dramas, but they weren’t subtitled as such.
“Crash Course in Romance” is about an elite hagwon math tutor who is so popular that mothers line up at all hours to get their children seats at his lectures. By chance, he encounters a former national handball player who gave up her dreams of competing on an international level to care for her niece, who was abandoned by her mother.
The early episodes of “Payback” held promise for a truly compelling thriller with the always great Lee Sun-kyung in the lead role. Lee plays Eung Yong, an ambitious man with a photographic memory when it comes to numbers. But the storylines get progressively more convoluted as the show progresses.
In Korean folk-lore, 구미호 — which literally translates into nine-tailed foxes — are cunning creatures who live to be about 100. As they age, they grow an extra tail. 구미호 are usually young women who seduce men to eat their livers or hearts. But in the K-drama “Tale of the Nine Tailed,” the alpha fox is Lee Yeon. Once the mountain God of Baekdudaegan, he was kicked out for a variety of reasons that revolved around his love for a human woman named Ah-eum.
답답해. That’s the first feeling that comes to mind when I think of the K-drama “The Interest of Love.” The entire series is about a group of broken people who can’t articulate how they feel and are in a constant state of unhappiness because of this.