Journalist, Author & Syndicated Columnist
“Signal” makes you ponder the consequences of altering life. Is it fate for a person to die at a certain time, no matter how horrific that death might be? And knowing that saving someone’s life in the past could create catastrophic results in the future, would you still take that chance?
The saving grace of “Come and Hug Me” is that it drives home the point that bloodlines don’t define who you are or who you will become — and that just because you passed your DNA onto a child, that doesn’t make you a good parent.
“My Ahjussi” is a satisfying K-Drama focusing on Dong-Hoon, a mid-level engineer who lives a mundane life. He works hard, hangs out with his brothers every evening and goes home to a house where his wife is rarely there. And if she is, she holes away in her home office and ignores him. It can’t be a coincidence that the set designer chose an apartment complex that looks more like a prison than a home for their residence.
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
“One More Time” was Kim Myung-Soo’s first lead role. Best known to K-Pop fans as L from the group Infinite, he certainly had the look of a singer-songwriter-guitarist down pat. With a better script and direction, he could’ve really done something with this part. But as it was, Tan was an unsympathetic character who was old enough to be responsible, but too immature to give up his rock ‘n roll lifestyle to pay off his considerable debts.
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
At its core, “Absolute Boyfriend” isn’t about whether the female lead would choose a robot over a human being. Rather, it’s about longing for the robot’s human traits that are lacking in too many people today.
It’s not surprising that “One Spring Night” has the same melancholy vibe as “Something in the Rain” (aka “Pretty Noona Who Buys Me Food”). Besides the same leading man, the series reunites screenwriter Kim Eun and director Ahn Pan-Seok. While the storyline is different, the main thrust remains the same: The central male character is deemed as unsuitable to be with the female character, because of an unforgivable character flaw that isn’t a flaw at all.
“Angry Mom” brings up the question of whether it’s OK to be a bully, if you are standing up for the rights of the weak.
“Encounter” is a treat for the eyes. Besides the obvious attractiveness of lead actors Song Hye-Kyo and Park Bo-Gum, the scenery — especially in Havana, Cuba — is a lush, welcome guest star. Unfortunately, by the time the credits have rolled, I realized that most of the series was much ado about nothing.
Having just finished “Sky Castle,” I am left with a little lump in my throat, not because it’s over, but because I know there are so many children out there who are at the mercy of a brutal educational system — where you are told your life means nothing if you don’t get into Seoul National University, Korea University or Yonsei University.
Helmed by writer Kim Eun-Sook and director Lee Eung-Bok — who previously collaborated together on “Descendants of the Sun” and “Goblin: The Lonely and Great God” — the misleadingly named “Mr. Sunshine” does a beautiful job of juggling multiple story lines that are full of suspense, intrigue and achingly quiet romance.
Near the end of “My Lovely Sam-Soon,” the titular character has an epiphany: “Even though I liked you, without you, I will live well.” Does she stick to her guns? Or does she relent and allow a man to boomerang back into her life?
A spy and a widowed housewife become embroiled in espionage, kidnapping and murder. But it’s not all thrills in this breezy series (also known as “Terius Behind Me”), which offers comic relief in the form of an apartment complex full of nosy neighbors, who are almost as skilled in ferreting out secrets as the secret agents.
I had no idea this series even existed. It popped up on YouTube when I was looking around for something to watch while I ate my late-night snack. (It was tteok-bokki and japchae, for those who have to know.)
“Because This Is My First Life” is a bittersweet series about two broken people who decide to cohabitate for financial reasons. It is also a story that is heartwarming, funny and romantic. The melancholy start to this Korean drama gave me the same feels as “Pretty Noona Who Buys Me Food” (in a good way).
“My Love, Don’t Cross That River” is a love story that shows there is beauty to be found in everyday life, even with death looming. A languid documentary about an elderly couple that has been married for more than 70 years, the 86-minute film — which is both tranquil and heartbreaking — is deftly directed by Jin Mo-Young.
My name isn’t uncommon in Korea. But, as you can imagine, I never had to worry about a classmate sharing my first name after we immigrated to Chicago. On the other hand, whenever my friends and I went to the mall to buy keychains or anything that had a name pre-printed on it, I never found my name listed anywhere along with the Julies and Kevins. Imagine my delight when I started watching Korean Dramas and saw characters who share my name!
One of the things that I really love about Korean dramas is that many of them center around protagonists who knew each other as children — and reunite as adults. And such is the case with “While You Were Sleeping,” which follows a group of young adults who inexplicably see each other in their dreams.
I was going to review “Pinocchio” simply as I would any other K-Drama. But I started to write this at the same time that Soon-Yi Previn broke her silence about her relationship with Woody Allen (her husband) and Mia Farrow (her adoptive mother, and Allen’s former long-time girlfriend) — and that affected my take on this Korean drama. Is it wrong for family members who aren’t biologically-related to have a romantic relationship? If you condemn Allen and Previn, can you condone the two lead characters in this series?