“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

“Twenty-Five Twenty-One” (스물다섯 스물하나)

The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.

“The King: Eternal Monarch” (더 킹: 영원의 군주)

“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.

“The Hymn of Death” (사의 찬미)

“The Hymn of Death” is a bittersweet three-hour mini-series that tells the real-life story of Yum Sim-Deok — Joseon’s first soprano — and Kim Yoo-Jin, a renowned writer and playwright. Set during the period when Korea was under Japanese rule, the tragic story is familiar to many Koreans. 

“Silenced” (도가니)

Based on Gong Ji-young’s 2009 novel, “Silenced” is a brutal look at the systematic torture of children at a facility for the hearing impaired. Though Gong’s book is fictional, the stories she tells are based on the decades of real-life abuse that handicapped students endured at the Gwangju Inhwa School for the Deaf.

“The Way Home” (집으로)

“The Way Home” is a bittersweet film about a young Seoul boy who is forced to spend the summer with his grandmother, who lives in the countryside. It’s not a quaint rural area that rich folks like to vacation in. Rather, it’s a small village where the bus comes on a irregular schedule and an angry cow chases little children.