Journalist, Author & Syndicated Columnist
Yumi is a woman in her early thirties, who had spent most of her twenties with a man who used her financially, cheated on her and then left her after seven years together. She viewed those as wasted years and, in some ways, is correct. Doting on a partner who doesn’t value you is nothing to be proud of. But there’s also something to be said for learning from negative experiences.
I enjoyed “Shooting Stars” for what it is: a cute romance with two incredibly attractive lead actors. But I also acknowledge that there are some problematic moments that mar parts of the series for me.
At first glance, “Our Blues” appears to be about a somewhat eccentric community of folks in Jeju-do — South Korea’s largest island. And it is. But it’s also about so much more. Over the course of 20 episodes, the series weaves together the complex stories of more than a dozen characters, creating a larger picture of love, forgiveness, and what it means to truly look out for one another.
“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.
The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.
“Melancholia” is a nuanced series that depicts how a math teacher (Im Soo-jung) encourages her morose student (Lee Do-hyun) to live up to the potential he had as a child genius.
There are still 18 days left until the end of the 2021 — and Gong Yoo’s “The Silent Sea” doesn’t even makes its premiere until December 24. But I don’t know that there will be a better K-drama this year than “Happiness.”
“You Are My Spring” stresses the importance of mental health care and normalizing treatment for everyone, rather than as something that’s just for the clinically insane. And … There’s also a serial killer element.
“Hometown Cha-Cha-Cha” is one of those slow-moving K-dramas that makes viewers wish they had the same kind of relationship as the characters do — not just with love interests, but with their friends.
“Hospital Playlist” is a good series, where the core friendship is warm and engaging. The five doctors have the kind of relationship with each other that makes me envious … even though I don’t particularly feel a need for that many close friends in my real life. (haha)
The series parable seems to be that if you have hate in your heart, you are susceptible to being influenced to hurt others, just because you can. “Bring It On, Ghost” started off as an uneven series. But once you get past the first couple episodes, it becomes a must-see K-drama that’s filled with action and a lot of heart.
“Mine” is a women-centric K-drama in which the worst actions have been created by men. Their immorality serves as a cause and effect for a chaebol family’s misery.
The first half of “Oh My Ghost” is what I refer to as a laundry series. I was so disinterested in the plot that it took me months to finish, and most of it was while I was sorting and folding laundry. But all that changed in the second half when the series veered from the repetitive plot of a horny ghost wanting to bed a handsome chef, and turned into a thrilling murder mystery.
For septuagenarian Shim Deok-Chul, his unfulfilled dream is ballet. As a child, he had wanted to take lessons, but his father stopped him. There was the lack of money. But there was (and still is) also the prejudice against men who participated in the artform. For many close-minded people who fear the unknown, dancing isn’t a masculine hobby to take up.
The showrunners behind “Vincenzo” took their time in letting the highly engaging story unfold in a believable way. Well, as believable a story as you can have about a Korean-born child who ends up becoming a consigliere for a top mafia don in Italy. This series is one of Song Joong-Ki’s strongest K-dramas.
“Tomorrow, With You” has so many wonderful elements — especially the adorable chemistry between the two leads. But the frustrating part was watching just about everyone in the series keep integral secrets from each other in an attempt to change — and protect — their future.
“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.
“Record of Youth” is Park Bo-Gum’s swan song before he enlisted to serve his mandatory military duty in South Korea. While it’s meant to be a traditional love story, the friendship between the three male leads and the woman Park loves was the real draw.
The chemistry between Lee Joon-Gi and Moon Chae-Won is strong in “Flower of Evil.” Viewers never doubt their love for each other. One of the most telling signs of their relationship is that even during times when she isn’t sure who he really is, she never stops referring to him as 자기야 / jagiya, which literally means that he is hers.
Cho Seung-Woo and Bae Doona are superb portraying a taciturn prosecutor and an intuitive police detective, respectively. He is aloof and shows no emotions. She is thorough and unafraid to go against her superiors’ orders to ferret out the truth.