Journalist, Author & Syndicated Columnist
The Spanish TV phenomenon gets remade and reset in an imagined North and South Korea, complete with charged political commentary and BTS namedropping. My latest review for Rolling Stone.
In a review that ran in the New York Times, film critic Jeannette Catsoulis gave “Ode to My Father” a big thumbs down for being “syrupy” and for having “packaged pain … likely to leave Western audiences cold.” While there is no doubt that director Yoo Je-Kyoon would’ve loved for American audiences to embrace his movie, it’s also undeniable that this film was not made with Western moviegoers in mind. It was made for Koreans.
We live in a time when the media tell us who we are. What “Lost” has done is tell the world what Asians aren’t. We aren’t all martial arts experts. We aren’t all college educated and over-employed. We’re not always the model minority. We don’t all own dry-cleaning businesses. And just as importantly, we’re not all nice.
The opening sequence of “Shiri” is so frenetic and violent that some filmgoers may wince at the unrelenting brutality. But if you can make it through the first few minutes, there’s cinematic eye candy waiting to enthrall you. One of the fiercest soldiers on an elite North Korean force is Hee, a young female sniper who shoots to kill and never misses. When enemy soldiers are hunted, she shows no feeling as she decapitates her prey. When she retires, she is given a solemn, heroic sendoff.